DM
153
Fabrice Poussin
Cinq Poésies
No sympathy, no condolences
Her mama went on to better things this morning they say
We knew her well, we liked her so, alone as she was
But she was gone long before far too young they hastily add.
Now here we are, standing by the gaping ground
Starving for the remains of a daughterless mother
Hungry only for the eternities it will still allow.
Lovely though in the somber color of the last rites
Touching through the gentle fabric she wears so well
Fighting a droplet of the newborn rain perhaps her soul’s.
Her life permeates to awaken the sleepiness of my bones
Her finger locked in hopes of a warmer alcove
Contemplating the others, lost in the same moment.
No one left for condolences, no ear to hear our sympathy
Absent smiles unable to find a birth on the weary lips
And soon a grave filled atop the memories of two forgotten girls.
Riches
Misty is the air for a morning stroll;
in a long coat, he can dissimulate
a truth.
The dew of its infinite mirrors speaks
to the gaze insatiable, of many visions,
unforgiven, by an early summer light.
It is late in a young morning to him alone;
other lives barely awaken, he has not
yet shut his eyes.
The stance is weary, the pace uncertain,
the body shakes, fighting to survive, just
one more moment.
Feeding in misery, the bones sing in
sorrow, cold of a frigid August heat.
Trees murmur a last plea to the dying,
one releases a drop of sympathy upon
him.
It ventures fast to find a soft place to tickle,
to trigger a giggle, but it finds only
the land occupied.
A single drop no longer, on the used face,
destitute, the broken hearted is a man
wealthy indeed, of great many sorrows
and a tear.
Summer rite
Little boy had grown a bit, not much to be fair,
yet enough to grab at another dream,
reaching the reigns of the steel horses.
Inches away, a few more grades and the magic age;
time to take to the road, at the wheel like the old man;
pride, at twenty miles per hour, on the narrow country road.
To the old chapel, site of first communions, many a misdeed,
and fields gorged with the stream waters of summer;
kingdom of frogs, toads, rabbits, and fearful snakelike fish.
The old barn, refuge of the mooing ladies full of charm,
and a favorite for the manly picnic for father and son;
cool, readied for the break after the bumpy ride.
The weaved creation full of treasures revealed,
simple, made of that bond cherished of generations;
strength before the afternoon lesson of hard knocks.
Few words, and the unsolicited moo, as the rugged
hands pull out the sweets of the cherries, the bottle
running with dew, eggs yet to be shelled, and the bread.
complete with meat and cheese, and smiles;
revered repast with a chuckle, and a sigh of joy;
the moment is shared for eternity, before a first nap.
They put it in a box
They put it in a box and said good-bye
Those bipeds in white gowns almost angels
Hovering inside the walls of a faded green hue.
Joe, his mother called him and so he remained
Until the hands on the clock changed to mush
Hesitant between the classroom and the morrow.
And he sang for no reason at all in a strange tongue
And laughed just because it was gleeful to do so
Always late against the steep curve of the hill.
Glad was Joe just to be with those odd youngsters
Across from the gentle soul of a red-headed maiden
She too looking at the oblong cask of the old schoolboy.
Something just did not work anymore inside the prison
It was time to go home albeit a little too soon
For this day he would be early in a timeless realm.
The wheels broke so they replaced them with gold
Tried pearls, and the precious metals of alchemists
Making a new machine so his life would continue to flow.
It was a week, perhaps a month or a year, but treasures too die
His sad gaze upon the box he saw them taking it away
And onto the wings of sleep he caught an eternity made for him
Joe, they called him, Joe alone with a deep hole in his chest.
They took the old heart he delighted in and teased so lightly
And they put it in a box, and all says good-bye at last.
Beginning
The letter beats its heart, unaware of a future, it giggles;
born in a mystery of origin tickled in its tender tummy,
it extends in the arabesque disrespectful of horizons,
drawn in strict geometry on a plane landscape yet.
Sister to the L, the vowel sweetly settles on a curve;
languidly satisfied in the completion of its soul;
no fear of the reversed arrowhead will linger much;
the story must go on, the word will be birthed.
A verse screams in anxious anticipation a name;
though deathly quiet on the young meadow;
its hope for the wavy consonant to become hurricane;
secret tsunami carried on softly to another scene.
A virgin page, still patient in wait of the messenger;
undetermined of boundless untouched light;
open, ready for the single touch of the loving quill;
for the response to exist as the words come alive.
The void fills with the energy of a frail answer weary;
the sharp point makes contact and scars the velvety skin;
while the L of old grows a fraction stronger, more confident,
it too now can rest in the safe shade of a great notion.
Distance long, distance brief, no matter for the eager line;
it wants to live, it will be, the composition will be real;
one little symbol at a time, in an infinite embrace universal;
for this night, when the covers close, the pages will kiss.
Moon and Sun, Night and Day, unique and one in longing;
the impossible takes hold and makes naught of hardships;
unperceived to all, indivisible in time and in space;
in their unspoken words, love forever written and victorious.
Fabrice Poussin teaches French and English at Shorter University. Author of novels and poetry, his work has appeared in Kestrel, Symposium, The Chimes, and dozens of other magazines. His photography has been published in The Front Porch Review, the San Pedro River Review and more than 300 other publications.