DM
153
John LaMar Cole
Cinq dessèrts de Noël
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crash-o-taph
As the car performed its jerky somersaults
time slowed to cold clear viscosity
objects floated in placid interspace
like props in space station clowning
before gravity reclaimed its tyranny
slamming all into blackness
doppler siren reality
came roaring back from nothingness
a freight train of bad news
strident incoming consciousness
each boxcar carrying a precious memory
sheathed in momentary regret
piercing the serendipitous calm
with slashed arteries
of imminent closure
those already fled their mortal coils
rested in incongruous composure
heads thrown back, mouths agape
a flash captured snapshot
of fresh corpses having the last laugh
unblinking eyes twinkling sightless mirth
within the nocturnal kaleidoscope
its prismatic spray of tempered glass
strewing confetti upon
the crashing cymbal fanfare
now drawn to indefinite fermata
as the coda counted down
to the double bar
sibilant disapproving radiators
shushed cricket chirping
surviving headlamps
shot tardy warning beacons
to startled treetop denizens
shattered rhinestones
sparkled the asphalt like starlight
as if the sky itself had fallen
soon trembling hands
wet with weeping
would hammer into place
the homemade memorial
plastic wreath and fabric flowers
fading in the unwinking glare of day
humbly tacky roadside cenotaph
apprising glancing passersby
someone dear died on this very spot
overgrown with burdock and ironweed
beer cans glinting between dusty ragged leaves
but now
in this perfect moment
of fatal imperfection
with the final breath
tranquility was reborn.
snowman
it was dark out still
the snow slept in moonlit humps
beyond my schoolbus window
roger’s house
was the farthest out our route
along a wild winding creek
hugging a low road prone to flooding
with a mile of dirt driveway
the brothers walked every morning
to meet us at their cattle crossing
there were other kids
to pick up later on
but they lived closer to town
the bus door folded open
with its jerky crank & clatter
letting in a rush of winter
the boys ascended the steps
stamping the snow off their shoes
roger navigated the shadows
seeking my silhouette among the many
then slid in beside me grabbing my arm
though an excitable lad
he was beside himself
this biting cold morning
you must believe me he begged
before his story had even begun
I saw a werewolf roger said
as night loomed he & jamie
were rounding up the livestock on foot
fording kneedeep through
the steep hilly snowscape
when they spied a dark smudge
pocketing the featureless hillside
and trudged their way toward it
thinking it a calf huddled in the cold
or a cow whose time had come
it was a nightfall of shadowless twilight
where endless nimbus cloud cover
would have met the horizon seamlessly
were it not for the ragged black fringe
of trees holding the two worlds apart
roger’s wide open eyes
sparked in the darkness
as he unspooled his tale
but when we got close
it stood up he said
covered with fur
from head to foot
about ten feet tall
but with a man’s face
and it screamed at us
the scariest most horrible scream
I’ve ever heard
and then it ran away—
on two legs—
like a man
it was a man I said
no
I swear on a stack of bibles
it was a werewolf
the day passed with the distraction
of seventh-grade studies
trips to the blackboard
doodling in my notebook
lunch & recess
but my mind would not let it rest
I would ask jamie
alone
the brothers usually sat apart
hanging with their age groups
jamie was in second grade
and small for his years
the older sibling was nowhere about
roger told me you two saw something
last night while bringing in the cows
yes he said excitedly
fidgeting as if the memory
made him uneasy
there was a dark spot in the snow
we went to see what it was
thinking it was a calf
but when we got near
it stood up
tall as a barn
hairy all over
and had an ugly monster face
it yelled at us
very loud & scary
then it ran away
how did it run away I asked
did it run away on all fours
like a dog
no he answered
looking down pensively
peering into the recent past
it ran away standing up
like a man he said
was it a man I asked
no it was a bear
I think
I never drive this stretch
of backcountry road
still resistant to change
with the fortitude of weeds
unknown to harbor bears
or werewolves
without wondering
some fifty years removed
what on earth
they saw.
the tornado
as if knowing exactly where to find us
the twister spilled over the wooded ridge
and onto the naked riverbank
in angry turbid ambush
cutting off our riparian retreat
a blustery giantess raging in widow’s weeds
slinging her cyclonic crinoline laden with sand
shaking her many-layered petticoats of thundercloud
strewing her broken necklace of hailstones
driven to mad rending fury
over the inscrutable conflicts
of convection and barometric pressure
the prow of our runabout
nosed upward to greet her
as my father pressed the flat of his hand
against our upturned faces saying only
“Down!” before we were airborne
and for just a moment of surreal tranquility
we floated
with inconceivable gentleness
in the thick of violent tempest
we found ourselves deposited
upon the riotous riverbank
earth & river & sky intermixed
in an indistinguishable slurry
each natural feature having forgotten
its rightful station in the chaos
out of the spraying lees of suctioned sludge
a man shouted “Look out for that tree!”
and although the air was a sandblaster
we stared for a moment to watch it dance
tethered only by a thick strip of bark
the great tree performed
its macabre magic trick
pirouetting as if weightless
within the tumultuous blinding blur
of attacking cloud
strobe lit by lightning flashes
like black&white blitzkrieg footage
in wartime moviehouse newsreels
the bewitched sycamore
bowed to us gracefully
its awestruck audience
amid thunderous applause
thrashing our way
through torrential opacity
we found make-do shelter
within the ramparts of roots
of a fallen tree carted away long ago
sanctuary of wolf spiders & centipedes
our lifesaving port in the storm
my father laughed despite himself
seeing our colorful swimsuited butts
poking from the rotting stump
peeking through the swirling gloom
of the murderous maelstrom
like poorly hidden easter eggs
his arms closing around us
as bars of a birdcage
to keep us safe from
all that would eat us alive
we held fast, our little family
as the whirlwind bellowed her threats overhead
and spat her curses down upon us
like exploding glass—
short of scratches, we endured unscathed
though several did not survive
the momentous afternoon
an hour later I would hold a flashlight
in an operating room without electricity
focusing its thin yellow beam
on bloodied blue-gloved hands
busy within the perfect round hole
of the green hospital barrier drape
with its spreading dark red stain
a boy of twelve as stunned witness
to the occult meticulous rites
of emergency surgical intervention
as doctors picked windshield fragments
from the spine of a young woman
whose car was crushed flat
when an oak was flung upon it
and whose screams
would siren through my dreams
for years to come
in an adjacent room
visible through a forgotten open doorway
stood a pair of grim glinting gurneys
burdened with motionless occupants
buried beneath heavy blankets
whose time for medical ministrations
had passed
resembling distant mountain ranges
on the murky horizon of intemperate nightfall
the tornado died a quick unremarkable death
as if the river had sucked the life out of it
a vampire overpowering its flailing victim
still standing trees
now denuded of foliage as winter
etched their stark silhouettes
upon the brooding twilit sky
the muddy ground of hail mothballs
was plastered in a dazzling collage
of tattered leaves
like the aftermath of a tickertape parade
the floating tree had torn free its earthly trammels
surrendering to the tornado’s irrepressible invitation
to join the whirling meteorological dervish
as its arboreal dance partner
now jilted and wilting
far from its lifegiving riverside roots—
we never saw it again
but lived to tell the tale
if only perforce the inextricable fortitude
of its long dead neighbor.
primer fears
before I knew
the countless costumes
Fear could don
two scarecrows
stood out to me
my father’s silver crucifix
with its tiny melted jesus
featureless face turned inward
cheek pressed against
the black recess of tarnish
as if in shame
hanging crucified in perpetuity
among the sparse graying hairs
within the shallow hollow
of my father’s pale chest
the heavy sterling chain
leaving its greasy tattoo
across the deeply plowed field
of his sunburnt neck
it was the palpable totem
of Death itself
verily the celebration of it
my young eyes & tender heart
surmised it symbolized
unthinkable loss
of parents & home
of all I held dear
words of heaven & savior
only served to greater terrorize me
I could not be forced
to do more than glance upon one
squirming within the constriction
of strong paternal arms
desperate to escape
my well-intended captor
the other was airplanes
falling from the sky
no one had explained
aerodynamics nor the
geophysics of globes
to my preschool queries
I did not comprehend
as planes approached horizon
they were not descending
upon a fatal trajectory
to the rocky earth below
and so I fled them
running opposite
of wherever they flew
before I had come into this world
of morbid crucifixes & falling airliners
my father worked on a crash team
of a busy airport in the postwar 40s
charging to the flaming wreckage
of twisted aluminum & steel
gouged into the tarmac
like a swatted bumblebee
stinger lodged deep
into the asphalt skin
buzzing furiously in ruined flight
the day my father quit his job
he’d seen a pilot burn to death
pulling out handfuls of his own hair
as he broiled alive in the cockpit
the water trucks had run dry
and there was nothing left to do
but watch
and later in asbestos suits
remove the remains
that came apart like hot pot roast
arms & legs requiring separate portage
a shovel for spilled guts
loosed from their corporeal confines
steaming up his visor as he ladled them
into the body bag
swarms of green bottle flies
carpeted his stifling suit
where another’s flesh hung
in limp gelatinous draperies
my father removed his helmet
purged his breakfast onto the pavement
stripped in the locker room
and never returned
we had an album
of old newspaper clippings
crash upon crash
carefully pasted into place
between wedding photos
& funeral programs
of the many plane crashes
he had labored upon
I sat in his lap
gazing at the sooty newsprint
tawny & fragile as pressed leaves
while he unfolded each story
pointing at the grainy photos
the lives lost, the lives saved
here he is, my father, and here
the infernal heat of fuel & steam
the soup of sweat his suit became
embedding nightmares within me
like bee stings
whenever I would spy
a plane soaring above me
stitching its tail of cloud
across the bowl of blue
I would dash contrary to flight path
as fast as my little legs would carry me
breathless with panic
then as it disappeared
where heaven met earth
paused straining to hear
the detonation of impact
that never came
but the burnt dismembered bodies
the horror stories that followed
fell from the sky ineluctably
sticking to me like napalm
my father’s crucifix
hanging placid & unperturbed
mute witness to it all
blind face averted
even then at five years of age
I could discern the ineffable lie
suspended there
nestled smugly
upon my father’s breastbone
above his dying heart.
herrington lake
the dead trees bothered me most
jutting out of the dark water, stark, foreboding
the eerie way they rocked back & forth
like old folk on nursing home verandas
unknown whether in greeting or admonishment
whenever boatwake disturbed their upright slumber
pale skeletal limbs waved spectrally above us
as we spliced the opaque gulf between them
their hands enmeshed in the knitting
of fat brown orbweavers
whose falling bodies thudded like golf balls
rudely disturbed from their nocturnal harvests
webs rent by our fishing boat’s silent passage
sent plummeting to the slatted cedar floor
where my father dispatched them with a paddle
as they scrambled from the dank puddles
left behind by previous catches
flopping in futile protest
this predatory paternal percussion
sounded the hollowness beneath the hull
a dull leaden bell’s tolling knell
our craft’s slender planking the only barrier
between us and countless dead trees below
whole groves of them, mass graves of them
entire drowned forests perhaps
submerged too deep to see
the water inky with the algae of their decay
but I knew they were there
all the dead trees
reaching upward in the darkness
scraping the bottom of our wooden runabout
with their lifeless bony fingers
such were the troubled musings
of my youthful mind plumbing the depths
where catfish & mud puppies drowsed
as we sought to seduce the bass & bream
from their mysterious congregations
among the flooded woods below
kentucky utilities condemned to death
entire valleys of picturesque homesteads
silos & cemeteries
tobacco barns & outhouses
and myriad doomed trees
soon to be subaquatic
removing little that couldn’t walk away
as the dix river swelled behind its new dam
on interminable overnight fishing trips
alone with my reticent father
I had long quiet hours awaiting the dawn
orchestrated by owls & peepers
calling over the hiss of coleman lanterns
to dwell in my mind among
the inundated ruins hidden below
I have swum these swallowing waters
shivered as my legs vanished mid-thigh
within the leech green opacity
and recoiled from the slimy touch
of the unseen dead trees below
wondering what other loathsome entities
prowled within the chilly caldron’s stew
but graveyards do not harbor the living
so I suspect that if there are monsters
they too are long dead and turned to bone
their flesh dissolved to soup
and any horror that lingers
resides within boyish minds.
John LaMar Cole grew up on a tobacco farm in the central Bluegrass of Kentucky. His life was infused with the histories & mysteries of abandoned antebellum manors, forgotten cemeteries of Revolutionary War heroes lost deep in the woods, legendary local caves, boundless fields, bounteous creeks, and countless tales of ghosts and inexplicable happenstances. His mother read poetry to him since toddlerhood, from Poe to James Whitcomb Riley, as well as many of her own creation, giving cadence & meter to his deeper thoughts from his first moments of consciousness. A caver of recognition, John’s writing has been published in caving journals & newsletters for over 40 years. Beyond that venue, his poem, “what my father taught me,” was published in the June 2021 edition of Screen Door Review. Bienvenue au Danse, John LaMar.
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