DM
153
Megan Thompson
Poetry
Cruise Lines
I. I don’t understand your love
I’m just a mermaid sprawled out on some oceanic rock
reading a message in a bottle
I will give you this locket to remember
me by. Until we meet again
and a voice like thunder cracks in my head
and the sea says to me “you are mine, you are mine”
and the sea says to me “you are mine”
II. stop that splashing
don’t get me wet
my flashing green scales will show
I can lean over the side of this ship
and see the fires burning deep below
III. I like to think of sea horses
the males that have the babies
ugly little squiggles popping out of their pregnant bellies
and wonder what their religion must be like
IV. the stars reflecting on
the ocean make me dream
I’m swimming in a sea of stars
V. Don’t listen to white haired sea witches who say:
If you write the name of the man you love
on a cigarette and smoke it
in the morning he’ll be yours
Pythia
Do not call me mad because you cannot see it
If you could see as I have seen
You would not doubt
the Gods
You would not think it strange to sit
before this chasm
making men
realize their destiny
May I tell you a secret?
It is the destiny of all men
to ruin women and then blame them for it
How odd. I cannot describe to you
how strongly my mouth just tasted of apples!
As I was saying, men always wish to ruin what they love
it is inevitable
It is why I came here in the first place
Do you think I like staring into this bowl all day
in this slinky red chiton?
I have the power to make men into Gods
or beggars
(All in the name of Apollo of course)
Pythia: The First Maxim
Know Thyself
They think I mean to humble them before the gods
Socrates, always dawdling on about his ignorance
thought I was preaching a perverse sort of wisdom
but any man who ever discerned my true meaning
would never set foot in this temple
They come to me seeking answers
as if I know any better than they do
Why does it take a raving ecstatic virgin
to tell people what they already know?
Do you think anyone is going to come in here and tell me:
“Darling, I really don’t think it’s healthy for you
to be inhaling all those vapors and conversing with Apollo all day”?
Of course not! I’m the mouthpiece of the gods
and I’ll do exactly as I please
You do the same
That’s the only real advice I can give you
The Parade
I am the navel people often see winking
from the window of the levitating tower
I can see Death
masquerading as a white horse
followed by an ecstatic Eve
perhaps she’s never seen so much sand
so frantically she moves between the curtains
or perhaps it’s the end of days
because I can hear Gabriel
blowing furiously on his horn
I unwillingly begin to undulate
at the end of the train is Adam
shouldering a cross, he occasionally falls to one knee
He wears a wire halo, his own pitiful contraption
I can hear the brood mare’s neighing laugh:
As if I were not the most cherished dream
Tristesse du Corps
I stuck another pin in my tights
“piqué, hold, drag”
black tights
for a piece on...
xeroxing!
Reclining in the stairwell
Our perfect Giselle
is arching her back
in high release
to look up at the stars
between ruined walls
I wrapped my jambes around the rails
when the electric hairspray cloud
floated out to find me
It leaked all over.
the warm noise of the dressing room
Behind the green door.
An impatient look-
her power rests
in the divine right
of perfect arches
I follow her in.
Tripping over starving cygnets
that hover in exclusive circles,
to peel off skin
and promote the desecration of hips.
How they break and bend
bleed and darn
until human frailties have fled!
and abandoned
the ridiculous
chainéd buns
of prim 7th St. Lolitas
Primas darting between heavy legs
I push aside the irritating battens
sickly hot pink bulbs
about to fall from wire trees
Peeping out from behind tattered wings,
I consider Aurora’s paradox:
One rose may be lovelier than 20.
there she is
flirting with a sentimental stage hand
he’s under the influence
of her despotic lashes
Apotheosizing stage light
of post-apocalyptic pixies!
igniting dark matter
in rounds of proscenium ecstasy
pristine bodies reforming
To dance
is to surrender
to the primal
heart-beat
of the universe.
Blackout.
Damn fog machines back stage are on a rampage again
(must be the ghost)
can’t see a thing but her eyes
and that unapologetic rouge
glowing red and cackling in the dark
Encore
What misery it is to return to the land of mortals!
after the show
an understudy can be seen
in the middle of the stage
as if compelled by the ghost light
cradling her pointe shoes
and singing
“I want to live in a music box. I want to live in a music box.”
Angel of Death Poem
I am the angel of death
that flies down the street
and spits directly into your mouth
What did you see when you lifted the black veil on my beanie?
certainly not my face
everyone sees something
different
It takes years to see someone’s face
like waiting for something to come to the surface of the water
You ask for too much too soon.
a gray cat let us in the gate
and I could tell you understood
the principle of synchronicity
you kissed me in the pool
and my blue lipstick left marks all over you like bruises
I was on the verge of telling you
about death
it’s completely against the rules of course
but youth delights youth
and I had never done this before
being the angel of death and all
Then my glass spilt.
I guess I wasn’t meant to say
those who see omens
see twice as much-
don’t worry about the cat
angels can’t love either
We were sitting back to back and I could feel your heart
beating violently through my chest
You told me you do this for other girls
I’d rather not have a heartbeat
both are legitimate responses to reality
Death, like love, is groping for a hand in the darkness.
As Death, I always find the hand.
Lovers seldom do.
The clock says 12:13 again
I’ll clean the black feathers out of my car eventually
Megan Thompson is originally from Las Vegas, Nevada where she completed her BA in Philosophy. She currently resides in San Francisco where she is pursuing her MA in creative writing.