DM
153
Benjamin Blake ~ Tony Walton ~ Stanley Wilton
Trois par trois
Benjamin Blake
Whatever Gets You Through the Night
I've been searching for years
For a place not found on any map
Though they whisper ceaselessly
From inside the confines of my skull
Those inhabitants of that sacred place
Who seek solace from the sun's brimstone touch
I can feel them under my skin
Carving vague directions by needle-point
I beg you to come for this ghost of a man
Midian! Midian!
Your name is all that has kept these bones together
The hope that one day
I shall stumble across those towering wrought-iron gates
Where I shall finally be home
With the kindred Nightbreed
The Midnight Liner
Ice frozen time
Thawed as the clock strikes 0
A new dawn reoccurring in the dark
Inevitable
A meteor shower
Raining on a barren landscape
(the moon keeps this heart afloat)
(as it commands the endless tide)
And each day I drown
Beneath murky waves
While trying to find Atlantis
Amateur Operatics
A matinee
Opening Thursday at the Operating Theater
Make sure to get your tickets
Because I heard they’re showing skin
Curtains open
She dances like a fevered lunatic
Tearing open her hospital gown
To expose the hole in her chest
We’re mesmerized
By her eyes and by her behind
The pointless pantyhose
That leave nothing to the imagination
Look, but don’t touch
Believe it or not
This show’s not for your pleasure
It’s to suck the soul right from your aging body
Benjamin Blake was born in the July of 1985, in the small town of Eltham, New Zealand. His fiction and verse have appeared in numerous journals and magazines including, The Los Angeles Review of Los Angeles, Morpheus Tales, Black Petals and DM. He was a contributor to the 2012 anthology, A Feast of Frights from the Horror Zine. His first poetry collection, A Prayer for Late October, was published in 2013 by Hammer & Anvil Books. His new poetry / prose / photography collection, Southpaw Nights, will be available in early 2015. He currently lives in a cabin, somewhere in the New Zealand countryside. Read more of his work at www.benjaminblake.com.
Tony Walton
Night Scream
This night has nothing to be ashamed of,
and just staggered in this place at last call -
drunken and unshaven, a kind of
fuckless orgasm with no one to
tuck it in bed.
This night has roamed across concrete,
faced neon beer signs in liquored mirrors
with hollowed eyes seeking reprieve
in thirsts and pleasures sought.
This night is curious.
This night is weak.
This night is drenched in vodka, diazepam -
forty miles from nowhere, wild and
bewildered in a ceaseless thrust.
This night aches. But then we see this:
Two bodies galloping against each other
under cool sheets, a shudder, then
a glow of silver on her snowy thigh, drying.
A bond, however fragile. Until morning
when it takes flight and then it's gone?
Oh, who the hell knows,
but I do know
this night will stay in bed.
Visitors
They come for you-
in old fashioned hats,
from where you don’t know,
to fuck you hard against every wall
you’ve built up.
They know how to pick all your locks,
break through your firewall,
blocking all exits.
Out of mirrors in small rooms with
flickering televisions they stare into your
flatness outlined in twisted sheets.
You give them food and wine,
trying to appease them.
You smoke with them, but they never mellow.
They’re like gods of a certain kind and
know all your devices.
Imagine what they’ve cost you in
Priests, lovers, advisers?
They’ll come for you and
they never stop coming
until you die, or
they die in you.
But, maybe there’s
something else wrong,
besides
them.
London 2009
As I turn left off Oxford Street
cloaked in a low sky and shuffling
along with the other furrowed brows
I search for the accent of my youth
"Tomato" or "Tomahto" or "Tomata"
"Aunt" or "Ant" or "Auntie"
Punching my cold fists into a
Harrods jacket I enter the tube,
shortly reaching another
grey gray station and soon see
a pub with an old fashioned
clock against the liquored mirror,
damn, it's way past our meeting time
and am I at the right place?
I really could go for
comfort food now, we need this
connection
"Buffalo Wings?" Or is it "Fish and Chips?"
Maybe "Saltfish?"
Which of these do I want?
Eh, it's too late for such a
search.
A sudden hiss of wind
angrily flaps my jacket, and
a raindrop
taps my shoulder-
as a stranger does when they have
wandered and need
direction.
The rain falls.
The sun falls.
The fog falls.
The days fall
from the harboring arms of mothers.
I walk alongside the parceled flats,
pausing at a low bridge and look out at
the steel dusk of the Old World
as the wind swings my bag like a beacon
against the cold.
Oh, come now – and dance with me
Caribbean.
Tony Walton is a Caribbean writer living in the Cayman Islands. His works have appeared in Storyteller Magazine, Moonkind Press, Whisperings Magazine, Mountain Tales Press, Out of Our Magazine, Poetry Bay Magazine, Burningword Magazine, Wilde Magazine, Nite Writers Literary International Literary Journal, Avalon Literary Review, Iceland Daily, East Lit Literary Magazine, Boston Poetry Magazine, Eunoia Magazine, Olentangy Review, Carnival Literary Magazine, Verity LA, Phantom Kangaroo, Tincture Journal, Star 82 Review, Seltzerzine, Literature Today, Morphorg Magazine, and, now, DM.
Stanley Wilkin
A Kind of Life....
Thin white light dryly crystallising
in air bleak with dust,
Shadows decked with ancient portraits-
silence impaled.
Beneath the glittering floorboards
rodents scurried, smelling out crumbs.
The damp had spread like a mutating virus. This was where
the old man walked, grappling with pitiless memories
until the end of his long life.
In this garish, gargoyle haunted house
amidst the enduring pine trees he was born
to a beautiful mother. Her death
scoured his child’s heart, leaving only barren thoughts
in a dull land. Above the antique fire
his father’s portrait, a reckless fantastically bewhiskered hussar
astride a mighty horse, his epaulettes like fringed
dinner plates, his embroidered jacket gloriously
covered with silver tassels and golden buttons,
smiling bravely, sabre aloft as if flying into battle.
Surviving Crimea,
his father died in the hot wastes
of muddy Kingston, ravaged by disease,
flitting through the overheated air,
attended by his creole mistress, whom he loved, his
mummified body transported back to the calmer climes
of his estate and stored away in a mausoleum; for eternity
transfixed by rotten relatives. Sharing their future. It was, after all was said and done,
a wonderfully unlikely fate.
In meagre revolt, the old man when young ran a finance house
where he never once met a lovely creole girl.
Confined within
its rubric confines, he grew passionate over money-an un-ripened husk
counting dry leaves.
How slow and quiet moved his sullen years
entering and exiting each decade, grasping
with evacuated passion.
First a millionaire and then a MP, ruling
his tiny world with his father’s distant élan.
Loving a troupe of stately women, loaded down
with jewels and raging with syphilis. At fifty,
his obsessive purity weighed him down
like a metallic tear. He shared
his lovers with the king. The king shared his cigars with him,
and on sallow autumn nights, occasionally,
his deeply satisfying burgundy.
No man or woman loved him
in the greyness of his life
he planted his emotions
in uprooted dunes, concealed his friends
in shifting sand
leaving no clear
marker in his dissembling memories.
Age came like a disease in a cavalcade
of bruises, boils and mottled skin.
Time became less a glorious panorama
Than an un-scalable wall. Shuffling along his dusty
halls he’d stop by the windows and spend hours
fixed upon his father’s picture, staring
triumphantly at him from the past. At such moments,
the sun dancing across his ruffled forehead,
he’d feel jealous of the dead man’s youthful
love of adventure, and his rousing life amongst
beautiful women in a hot passionate land.
At inopportune moments, sick at heart,
he’d rage against the dead man’s
unremitting thirst for his wife-
rage against his mother’s groans at night-
his mother’s dark screams of pleasure,
still made him howl.
STORM:
It was such a superb day
saturated with light,
a long day, filled with evolving mists,
the energetic calls of gathering birds
and calm lapping winds.
In the gardens, amongst the holiday debris,
the children excitedly played,
music mingled with equable conversation, the postman stealing by
in the shiftless shadows, shielded by formless cloud.
The town made news that day-
disappearing as the weather closed in.
My mother arrived home from work
loaded with groceries, tired, dumb.
My father soon followed. They fleetingly
kissed and made dinner together in the evolving half-light.
Our neighbours evacuated their gardens.
The rain began as we sat down, striking gently at first
and then in madness.
Of terrible storms that broke through the town
strangling, uprooting trees, slicing away
homes, a gurgling pulsating fury of air, ice and rain
that lasted four days.
Unremitting, it brought huge waves in its wake
from the tortuous sea. All along the beaten
coast people choked and drowned,
their corpses tipped
out onto beaches huddled between ravaged furniture
and drying plastic shopping bags,
swollen limbs nibbled at by fish and crabs,
and scattered throughout the streets
picked at by dogs,
a feast that set them up
for the coming cold weather.
Fleeing birds
squalling overhead in clamorous flocks, plucked
from the sky and shattered on rocks;
The cats had a field day until
becoming engulfed too in marauding waves
deluging the land.
Foxes screamed from the hopeless
shelter of water saturated dens;
only jagged ruins remained,
futile gestures to a once-only god.
Towns inland were wrecked by the hurricane bursts
and all fell silent as the storm
fled like a Viking raider back into the sea, dragging its
spoils.
Drifting in the nearby river,
my father’s ballooning corpse set off
for the closest city. My mother’s settled
eventually in the silt even further down,
stubbornly waiting for her husband.
Always late. In life and death, he was a tardy man!
Reaching higher ground after stumbling through
woods and newly formed marsh
I endured. God was good to me that day!
as the waters grew calm and receded I returned
an orphan, a survivor, amongst the dead.
Water is in my veins,
beating rhythmically,
my mind filled with flotsam,
floating needlessly
and like my parents, I drift
towards an infinite, unreachable sea.
Time: Passion
What did the old man say as he walked into
the yard? Can you remember his expression? Was his
face red? Was his voice, usually so soft, ripped through
with the hacking sounds of suffering? Did he speak of me or
other women as his memories jiggled about, bouncing balls in opaque
glass, popping up, briefly seen then tumbling back down?
I loved him once. Oh, fifty years ago,
in a time of music festivals, casual sex,
his cryptic smile a rapier sign to hopeful women, his voice
detailing elaborate visions, a rough-edged tinder-box
accessed for sudden ignition.
Tanya, his besieged wife, armed with a corrosive tongue,
fended us off, obscene words flying from her pretty mouth
like acidic spit, worn away by dogged distrust, driven insane by childcare.
Even now she haunts my generation,
a frowning face in the squalid shadows.
When young the old man sought attention
and still does, but in other ways. He no longer flirts. No. But
his blunted eyes seek an audience
for his well-thought out pantomime, knowing well
how to elicit applause. Have you seen him
walking through town in urine-stained pantaloons, his
torso naked, darting challenging looks at passers-by?
Once, that marvellous man was admired!
He made love with scrupulous finesse, sending
nervous fire through avaricious female bodies. Now,
a sucked-out palimpsest
each shrunken stare a half-forgotten event!
“His mind has gone. He’s a sad, bad old man!”
Sadie, my arch daughter, slightingly remarks when he saunters through town.
She has a PHD and is proud of her intellect. He disgusts her.
He carries his shrivelled body tauntingly,
his involuntary gait, his movements, vaguely remembering
when and how often he used it well.
“He needs to be put into care! Put away!”
Her envy is etched into her aging face
as she stands beside me, thinking of effective cures
for old age, a battered brain and perished lust.
Obligingly, I nod. I pretend to agree with her pejorative vehemence
knowing that she loathes him for making me happy,
for compulsively drilling pleasure into my every limb, aperture and pore.
Unable to conceal the indignities of time, neither am I able to conceal
an ancient satisfaction.
Frequently seeing him in town, I know what he has become-
a thin wrecked wag, always drunk. I say nothing.
By the afternoon he is abusive and
unzips his flies to the laughter of taunting teenagers eating burgers in the mall.
He was like them once. He derided old men too, wishing
they would go away and die. There wasn’t sufficient air, he believed,
for both young and old. They had exceeded their share.
He’d yell insults, holding the grateful hand
of a beautiful girl, as later he held mine, falsely believing
in infinite youth: firmly believing that the old are other people.
In the dusty streets, parboiled in an insistent
sun, I leave him to his minor despair-I refuse to evoke old vellum thin
memories that will yet again eviscerate his soul. I refuse to
restore that flirtatious grin, that far-seeing look that turned my will to dust, that
caused me to lie down in the grass by the river’s edge,
my greedy contentment clutching at my heart.
From the corner of the street I watch my first love
act out each day a further stage in his death, bottle in hand, phlegm
running down his chin, his shrunken penis flapping like a tiny bird.
Stanley Wilkin is a lecturer working in London. He now also teaches privately. He has published in various magazines, such as Suspense Magazine, Black Petals and Gold Dust, and regularly produces academic papers. Bienvenue au Danse.